Invisible Cities OGR




Comments

  1. OGR 05/10/2018

    Hey Grace,

    So Ersilla - I really like this city - it's one of Calvino's most improbable, most 'fine art' cities - and really requires some imagination to bring its character to life! The first thing I want to underline is that Calvino is describing a city - something that will be many miles across and covering different areas of a landscape. Lots of students think rather too small about this project - so depicting a few houses or something 'village-sized' - when really, the concept artist you've become is being challenged to think much more expansively. In terms of an artist reference you might find useful in this 'super-sizing' of your vision is Christo - famous for wrapping huge things in fabric:

    https://www.smithsonianmag.com/arts-culture/christos-california-dreamin-90869/
    http://idaaf.com/christo-and-jeanne-one-artist-in-two-bodies/

    It might also help you to look at installation artists who use string to dramatic and complex effect (as this is something students sometimes struggle with when it comes to dealing with the epic-ness of what Calvino is actually describing):

    https://www.yellowtrace.com.au/string-thread-installations/

    Just imagine an entire city - something the size of New York - webbed in with different coloured string - how extraordinary would that look!

    I like the idea of the 'tents and teepees' - but again, be wary of thinking 'small' - yes, in a city you have modest-sized domestic buildings, but you also have much bigger buildings - high-rises, town halls, courts, theatres, hospitals and so on - so while tents might indeed be a thing, don't forget to think about scale and differentiation, for example:

    https://en.wikipedia.org/wiki/Tensile_structure
    https://www.masterbuilder.co.in/significant-tensile-structures-across-globe/

    The other obvious question about Ersilla is... where does all the sting come from anyway? In terms of your interior, maybe you could think about answering that question? I assume too, given the significance of string to the culture of the city, that those you spin it might be considered of some societal importance? Would 'the spinners of Ersilla' be a special group - and what would a 'spinning wheel' or loom look like, if it had to supply an entire city's worth of string over and over again?

    http://www.museumsyndicate.com/item.php?item=36836

    Likewise, all the string would need to be dyed...

    http://www.imagesofanthropology.com/images/F0000011_copy_low_res.jpg

    and all the string would need to be stored someplace too...
    http://woolwarehouseonline.com/index.php/merino-wool-yarn/

    I think Ersillia - in a conceptual and creative sense - really yields surprises and excitements when you just take the idea of the string city as a 'real thing' - and then start to work out some of the more practical ideas. For example, in a city choked with string, how to people travel about - do they use the great collections of string as rope-bridges and walkways? Imagine if a whole bunch of buildings were up one side of a valley - and a whole lot more where up the other side, there would be huge spanning structures of string stretching from one side to the other...

    https://www.dezeen.com/2015/07/16/janet-echelman-aerial-sculpture-installation-rope-rose-kennedy-greenway-boston-park/

    https://www.nationalgeographic.com/travel/destinations/south-america/peru/inca-grass-rope-bridge-qeswachaka-unesco/

    So yes - Ersilla is amazing - but you need to get into the true scale of what Calvino is describing, and my advice, is you then get into the logistical side of what his descriptions might actually mean for the society producing all that string...

    ReplyDelete

Post a Comment

Popular posts from this blog

Invisible Cities Thumbnails (Armilla)

Invisible Cities Thumbnails (Ersilla)